Silent Hill: Revelation 3D (2012)

Production Details :
In Theaters : October 26, 2012
MPAA Rating : R (for violence and disturbing images, some language and brief nudity)
Genres : Adaptation, Horror, Sequel
Run Time : 1 hour 34 minutes
Distributors : Open Road Films
Also Known As : Silent Hill 2,Silent Hill 2 3D & Silent Hill Revelation.
Production Status : In Production / Awaiting Release
Filming Locations : Toronto, Ontario, Canada
Produced In : United States
Directors : Michael J. Bassett (Director)
Writer : Michael J. Bassett
Stars : Adelaide Clemens, Kit Harington, sean Bean...

Storyline :
Heather Mason and her father have been on the run, always one step ahead of dangerous forces that she doesn't fully understand, Now on the eve of her 18th birthday, plagued by horrific nightmares and the disappearance of her father, Heather discovers she's not who she thinks she is. The revelation leads her deeper into a demonic world that threatens to trap her forever.
User Reviews :
'SILENT HILL: REVELATION 3D': Four Stars (Out of Five)

3D sequel to the 2006 horror film based on the popular survival horror video game of the same name. It was written and directed by Michael J. Bassett and is based on the 'Silent Hill 3' video game. The film centers on the heroine's daughter from the first film, Sharon, who's now a young teen and lives with her father while constantly on the run from a ruthless cult. The cult wants Sharon back in the nightmarish alternate dimension world of 'Silent Hill', where her mother is still trapped. Radha Mitchell, who starred in the first film, only has a cameo in this chapter. Sean Bean and Deborah Kara Unger also reprise their roles from the first movie. They're joined by Adelaide Clemens, Kit Harington, Carrie-Ann Moss, Martin Donovan and Malcolm McDowell. Horror fans are sure to be pleased with this installment as well as fans of the video games (I've heard). I haven't played the games but being just a fan of artistic imaginative horror I thought it was quite an achievement.Heather (Clemens) is now turning 18 and after being on the run with her father, Harry (Bean), for many years he goes missing. She's never fully understood who she is and why her father and her have been running from town to town. She doesn't remember 'Silent Hill' but has been tortured by nightmares of it for years. She soon discovers that the people of the alternate dimension town want her back. Her mom (Mitchell) has been captive there for years and now her father is as well. A young man named Vincent (Harington) who grew up in 'Silent Hill' has been sent to our world to help bring Heather back. Vincent is not a bad guy of course though and sees Heather's true beauty, so the two join forces in surviving 'Silent Hill' and unraveling it's mysteries.The film is like a true nightmare and is played out in beautifully grotesque elaborate detail; the set design, effects and 3D are all spectacular. It looks horrendous and really has that nightmarish feel to it. I'd put it up there with the classic slasher films of the 80s like the 'A NIGHTMARE ON ELM STREET' and 'HELLRAISER' franchises. It's every bit as creative and grotesque. The acting is all decent and the directing is fitting. The story is a little too rushed and fast paced but I've read it's really faithful to the video games and gives the fans just what they want to see. I know nothing about the games but I did like the original 'SILENT HILL' movie and would put this second installment right up there with it. It's a classic B slasher film done right.

Silent Hill: Revelation 3D (2012) Free Movie Online

Sunday, 2 September 2012

Keep the Lights On (2012) Free Download Movie

Keep the Lights On (2012)

Keep the Lights On (2012)

Genre : Drama

Director : Ira Sachs

Writers : Ira Sachs , Mauricio Zacharias

Stars : Thure Lindhardt, Zachary Booth, Julianne Nicholson..

Country : USA

Language : English

Running Time : 101mins

MPAA Rating : Not Rated

Directed by : Ira Sachs

Starring : Thure Lindhardt, Zachary Booth, Julianne Nicholson

Storyline :

It's 1997 and New York City is in a state of intense flux when documentary filmmaker Erik Rothman (Thure Lindhardt) first meets Paul Lucy (Zachary Booth), a handsome but closeted lawyer in the publishing field. What begins as a highly charged first encounter soon becomes something much more, and a relationship quickly develops. As the two men start building a home and life together, each continues to privately battle their own compulsions and addictions. A film about sex, friendship, intimacy and most of all, love, Keep the Lights On takes an honest look at the nature of relationships in our times.

User Reviews :

A KVIFF screening of this year's Teddy winner in Berlin International Film Festival, from American director Ira Sachs. It is a detailed dissection of the a tug-of-war gay relationship between Erik and Paul, which soldiers on almost a decade in the present-time (1997-2006).

Thure Lindhardt, the Danish out-of-the-closet actor who has shown the immense stretch in the skin-head gay-romance BROTHERHOOD (2009, an 8/10), transforms himself into a young immigrant documentary director Erik living in NYC, probably sex-addictive, met the dandy boy Peter (Zachary Booth), first time for sexual intercourse, then the mutual attraction brings both into a relationship complex, which encompasses an overt hindrance, Paul's drug-addition, a cliché default even makes for the consistent trappings of gay life, thanks to the barren soil of the genre.

It's hard not to compare this film with last year's indie darling WEEKEND (2011, an 8/10), both stand out among other numerous lesser achievers, but in very disparate ways. KEEP THE LIGHTS ON is a sultry relationship conundrum exhausts one's vigor even dignity to sustain the suffocating love; while WEEKEND concentrates on the bad-timing symptom after a casual sex date which one must cut off his feeling and affection. Different terms, same payoff. Nevertheless, both films have a cracking two-hander cast, in this case, Lindhardt and Booth are fervently suited to their tailor-made roles, especially Lindhardt, literally carries the film on his shoulders to elaborate a not-so-extraordinary script, I do hope he will not be stereotyped into the gay-actor-can-never-act-straight category for his future career.

The film at large is a mean-well, sincere work with some uneasy aftertaste, but never accomplishes itself as a boredom, a welcome 7 out of 10 is my indulgence.

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